WB -> Exposure -> LUT -> ColorCard with 709 in/out -> Contrast -> Saturation -> Gain/Gamma Rec709 color/gamma for input, timeline and outputĬlip properties match project (set to 709/709) ![]() If you are using resolve and need to figure it out here is what I got working.Ĭolor Science: Davinci YRGB Color Managed Now I start with this LUT for base correction and go from there, a lot easier and the additional corrections are a lot milder. I tried building my own base LUT with a color card correction in davinci with all kinds of tweaks and I could never get it looking right without introducing a bunch of noise or crushing a color channel. vlt to use in different apps, maybe you can update the LUT on the SmallHD monitor to see if its not the right one? My well lit interior is around F4/ISO800 for a small point of reference.Ģ: the panasonic vlogl to rec709 LUT is a very clean correction LUT, it is the one built into the camera for vlogl view assist / hdmi display. I do zebra1 at 55% for skintones and zebra2 at 75% for superbright lighting. Still learning a lot about this beast and Davinci.ġ: Your monitor might not have the right 709 lut, you can test this by setting the zebras in camera and seeing if the output lines up. thing trying to figure out how to get it all set right and I think I've got it figured out, or at least I can grade/tweak in Davinci resolve and my output is what I expect. Either way, it’s a fantastic feature that even some high-end cameras still lack so it’s great that GH5 shooters can utilize it whenever required.I got my GH5 last week and I've been through a whole. This functionality can be extremely convenient when you want to show off certain look to a client while shooting on set, or just use it as a reference to get a better idea of what your footage would look like before it goes through color grading. If you want to add more LUTs, you can use the same workflow as the camera will replace the older look-up tables with the new ones once you upload them. Ultimately, make sure that the LUT Monitor Display function is switched on. ![]() Keep in mind, that you can load up to four custom LUTs on your GH5. If you’ve done everything correctly, you should be able to see the LUT that you’ve previously created in the LUT Data Select section of your camera. Finally, access the V-LogL View Assist in the main menu and choose Read LUT File. Next, make sure that your GH5 is in Video Mode and the V-Log picture profile is enabled. ![]() ![]() The next step of the process is to give the generated LUT a name that should be only three characters long due to the GH5’s naming conventions and copy the LUT file to the root folder of your SD card that goes into the camera. In this particular case, you should opt for the Varicam 3D MLUT extension and then hit Generate LUT. That way, you’ll be able to preview the look generated by the LUT as well as further customize it to perfectly match your GH5 camera settings.įurthermore, in the Customization section, you should change the Input Gamma to Panasonic V-Log, Input Gamut to Panasonic V-Gamut and export the LUT as a Camera/Monitor LUT instead of Grading LUT. Once you access the LUTCalc in your web browser, choose the LUT that you want to convert from your computer, select 100% to 100% under the LUT Range and hit Analyze. Luke Neumann of Neumannfilms will walk us through the process by showing off how you can easily transform virtually any grading LUT by converting it into an in-camera LUT compatible with the Panasonic GH5 in a few easy steps. And the best part is that you can convert almost any LUT to make it compatible with your GH5 by using the free open-source software LUTCalc developed by Ben Turley. In addition to the plethora of fantastic video features packed on board, the Panasonic GH5 allows users to load custom LUTs as well so that they can preview different looks straight in their camera while shooting in V-Log.
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